Moulton I Dream Too Much - Carl Dreher The Lives of a Bengal Lancer - Franklin Hansen Love Me Forever - John Livadary $1,000 a Minute - Republic Studio Sound Department Thanks a Million - Edmund H. HansenĨth Academy Awards (1935) Winner Naughty Marietta - Douglas Shearer Nominees Bride of Frankenstein - Gilbert Kurland Captain Blood - Nathan Levinson The Dark Angel - Thomas T. Moulton Cleopatra - Franklin Hansen Flirtation Walk - Nathan Levinson The Gay Divorcee - Carl Dreher Imitation of Life - Theodore Soderberg Viva Villa! - Douglas Shearer The White Parade - Edmund H. 1930/31 - 1931/32: No award given to specific films.Ħth Academy Awards (1932/33) Winner A Farewell to Arms - Franklin Hansen Nominees 42nd Street - Nathan Levinson Gold Diggers of 1933 - Nathan Levinson I Am a Fugitive from a Chain Gang - Nathan Levinsonħth Academy Awards (1934) Winner One Night of Love - John Livadary Nominees The Affairs of Cellini - Thomas T.Nominees & Winners Best Sound Mixing By Decadeģrd Academy Awards (1929/30) Winner The Big House - Douglas Shearer Nominees The Case of Sergeant Grischa - John Tribby The Love Parade - Franklin Hansen Raffles - Oscar Lagerstrom Song of the Flame - George Groves
The official name of the award has changed several times over the years: In a rule change on June 30, 2006, the bake-off for the Sound Branch was eliminated, and the usual process of a "preferential ballot" submission was instituted.
Best sound mixing oscar 2004 full#
The Sound Branch of the Academy of Motion Picture Arts and Sciences, until 2006 would use a "bake-off" of the best films from the previous year to decide which films should be referred to the full Academy as nominations for the award. RKO Radio Studio Sound Department, Steve DunnĬolumbia Studio Sound Department, John P.The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording, and is generally awarded to the production sound mixers and re-recording mixers of the winning film. Republic Studio Sound Department, Daniel J. Walt Disney Studio Sound Department, Sam Slyfield General Service Sound Department, Jack Whitney Moultonĭenham Studio Sound Department, A. Samuel Goldwyn Studio Sound Department, Thomas T. Universal Studio Sound Department, Bernard B. Republic Studio Sound Department, Charles L. Paramount Studio Sound Department, Loren L. Grand National Studio Sound Department, A. Universal Studio Sound Department, Homer G. RKO Radio Studio Sound Department, John Aalberg Hal Roach Studio Sound Department, Elmer A. Universal Studio Sound Department, Gilbert KurlandĢ0th Century-Fox Studio Sound Department, Edmund H. Universal Studio Sound Department, Theodore Soderbergįox Studio Sound Department, Edmund H. RKO Radio Studio Sound Department, Carl Dreher Warner Bros.- First National Studio Sound Department, Nathan Levinson Paramount Studio Sound Department, Franklin B. United Artists Studio Sound Department, Thomas T. Studio Sound Department, Nathan LevinsonĬolumbia Studio Sound Department, John P. Paramount Studio Sound Department, Franklin Hansen Warner Bros.- First National Studio Sound Department Samuel Goldwyn- United Artists Studio Sound Department Metro-Goldwyn-Mayer Studio Sound Department Paramount Publix Studio Sound Department
United Artists Studio Sound Department, Oscar Lagerstromįirst National Studio Sound Department, George Groves Paramount Famous Lasky Studio Sound Department, Franklin Hansen RKO Radio Studio Sound Department, John Tribby
Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
3 Multiple awards and nominations for Best Sound Editing.2 Multiple nominations and awards for Best Sound Mixing.Paramount Publix Studio Sound Department won in both years. įor the second and third years of this category (i.e., the 4th Academy Awards and the 5th Academy Awards) only the names of the film companies were listed. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. The first were and Murray Spivack and Jack Solomon for Hello, Dolly!. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés Navarrete and Phillip Bladh Award for excellence in sound mixing in filmĪcademy of Motion Picture Arts and Sciences (AMPAS)